Release group information Artist: Wyclef Jean Type: Album Rating Genres hip hop Other tags (none) See all tags External links en: Masquerade (Wyclef Jean album) Wikidata: Q4357523 Editing Log in to edit Open edits Editing history Last updated on 2015-08-19 20:00 UTC Donate Wiki Forums Chat (IRC) Bug Tracker Blog Twitter Use beta site Brought to you by MetaBrainz Foundation and our sponsors and supporters.
![]() This time its a masquerade, but unlike the colorful Carnival, the comparatively unfocused Masquerade fails to conjure the jubilance its title implies. The albums first single, Two Wrongs (featuring Claudette Ortiz of City High), is the strongest of the albums many collaborations (then again, well take anything over those City High Real World TV spots). Wyclef imports his always engaging multi-cultural palette of worldly beats and samples (Peace God, Masquerade and Party Like I Party), but more traditional rock samplage like the coming-of-age Oh What a Night (which paraphrases December 1963 (Oh What a Night) and Leaving on a Jet Plane) and a cover of Knockin on Heavens Door fall flat by comparison. Lyrically, Wyclef sends mixed messages, peppering his positive message to the streets with acrimony and, well, just plain bad rhymes (I wish there was a sequel to The Sixth Sense So I could see dead people, he says on Daddy, a track which features an otherwise stirring piano and vocal arrangement by Jennifer Hamady). He presumptuously toots his own horn on 80 Bars and Oh What a Night: Who thought he would rule the industry Judging by this album, its unclear which industry hes talking about. Wyclef Jean Masquerade Torrent Free And AccessiblemeaningLabel: Columbia Release Date: June 17, 2002 Buy: Amazon Were committed to keeping our content free and accessiblemeaning no paywalls or subscription feesso if you like what we do, consider becoming a SLANT patron, or making a PayPal donation. Up Next Review: Papa Roach, Lovehatetragedy Dont Miss Review: Truth Hurts, Truthfully Speaking You may like Review: Ghosts of Cit Soleil Review: Shottas Review: One Last Thing Advertisement Comments Music Review: Morgan Wades Reckless Is a Rural Pop Album That Upends Expectations On her debut album, the singer-songwriter blends pop and country without subjugating either. Published 3 days ago on March 11, 2021 By Jim Malec Photo: Thirty Tigers M organ Wade grew up in the heart of Southwest Virginiathe same area of Appalachia from which the Carter Family and the Stanley Brothers hailand her voice, a raspy soprano drenched in twang, is shaped by that geography. Its a voice that sounds like it was built for murder ballads and songs about cheatin and drinkin. But the 26-year-old singer-songwriter isnt that kind of artist, and on her debut album, she refuses to be typecast. Produced by Sadler Vaden, Reckless is striking in the way it upends expectations. Although country music is unmistakably present in the DNA of these 10 songsfrom the glossy Nashville sheen that underscores opener Wilder Days to the aching sway of Mendits not the driving force. Decipher textmessage license code crack torentYou wont find a lick of banjo, fiddle, or steel guitar on the album, and Wades songwriting steers clear of country musics most common tropes, like religion and family, and the caricatures of rural identity that have become the hallmarks of country radio. Instead, Reckless revolves around issues like addiction, mental health, and isolationplights that are central to exurban life but mostly ignored by the music that claims to represent that culture. Wade navigates these topics with stark, evocative storytelling. Tonight I am numb from a cocktail of pills, she sings on Met You, the albums haunting final track. Its an affecting lyric in its own right, but its even more so when considered in context. Like many of Americas rural communities, Appalachia has been ravaged by the opioid epidemic over the past two decades. For those, like Wade, who grew up in places like this, addiction is omnipresent, a defining characteristic of their hometowns. So its no surprise that it shapes almost every song here in ways that are often subtle but deeply consequential. With a few exceptions, these are songs of desire, dependence, and desperationof a narrator whos searching for a way to make things better, even if that means settling for a temporary reprieve. At the same time that vital stories like these are excluded from country music, singers with voices like Wades are also denied a place in the broader popular culture. We rarely hear pop or rock that features thick mountain accents or deep Texas drawlsnot a surprising fact considering the structural bias that exists against regional dialects (especially Southern ones). Faced with this dilemma, most artists choose one of two paths: cater to the stringent demands required to fit into the country music machinewhich dictates everything from what you can sing about to how you dressor learn to perform in ways that belie their roots.
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